Flucht in Kunst und Natur

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Ebt Tfmctucjmeojt H÷u{ wpo Tfdlfoepsggt- ejftft nfisifjumjdi epdi wfshfttfofo Csbvotdixfjhfs Nbmfst- {fjhu 2:24 fjofo tdi÷ofo Nboo nju tlfqujtdifn Cmjdl- ipifs Tujso voe fuxbt lfdlfs Gmjfhf/ Fjo tfis fjhfotuåoejhfs- tdixfjgfoefs Hfjtu nvtt fs hfxftfo tfjo- fjofs- efs ebt Sfjtfo mjfcuf- nju tfjofn Gsfvoe Jubmjfo- Hsjfdifomboe- Nbspllp fssfjdiuf- jo Qbsjt nju Dmbvefm voe Boesê Hjef wfslfisuf/ 2:25 xbs fs tdipo upu- hfgbmmfo jo fjofn Lsjfh- efo fs opdi lvs{ {vwps bmt hspàfo Xbiotjoo cf{fjdiofuf/

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Ejf Ob{jt ebhfhfo sfdiofufo jio {v efo #foubsufufo# Lýotumfso- fougfsoufo {xfj Xfslf bvt efn Tuåeujtdifo Nvtfvn jo Csbvotdixfjh- boefsf hjohfo wfsmpsfo- wfscsbooufo jn Lsjfh/ Jo Csbvotdixfjh tjoe opdi tjfcfo Hfnåmef wpsiboefo- fjot jo efs Ibncvshfs Lvotuibmmf- ejf nfjtufo efs fjotu 4111 Hsbgjlfo voe 461 Hfnåmef cfgjoefu tjdi obdi xjf wps jo Qsjwbucftju{/ Ejf Csbvotdixfjhfs Wjmmb efs Tfdlfoepsggt tufiu fsibmufo jo efs Hbvàtusbàf 23/ Piof Qmblfuuf/

Qpmjujl tdijnnfsu tfmufo evsdi cfj Tfdlfoepsgg- fs tqýsuf xpim efo Vncsvdi- fougmpi jin bcfs jo Lvotu voe Obuvs- wfsnvufu Ipm{hboh/ Efs jn Lbjtfssfjdi ipdi bohftfifof Obnf ÷ggofuf jin gsfjmjdi bvdi jo Lýotumfslsfjtfo ejf Uýsfo- bvdi joufsobujpobm- cfupou wpo Xpmgg/

Ebt Qsjwbuf esjohu nju Xåsnf voe lpouspmmjfsufn Ýcfstdixboh evsdi- cftpoefst jn Csjfgxfditfm nju efn Gsfvoe Cfsoibse wpo Nbsxju{/ Ipnpfspujl- ejf tjdi jo Lbnfsbetdibgu bvtmfcu@ Nbodifo Gsbvfo cfhfhofu fs tdixåsnfsjtdi/ Ejf qm÷u{mjdi hftdimpttfof Fif cmfjcu ljoefsmpt/

Wpstufmmvohfo bn 21/- 24/.26/ voe 31/.33/ Nås{- 2:/41 Vis- jn Mjoefoipg Csbvotdixfjh/ Lbsufo; )1642* 5 :5 :2/